Volume One

1. One Piece Volume 1

Volume One’s all-inclusive roadmap to the aisle Humming along since 2002, Volume One is a magazine, a website, an event production company, and a retail store based in Eau Claire, WI. Notorious big free download.

Volume One is the debut album by the American band Sleep. It was the only album recorded with original guitarist Justin Marler, before he became an Orthodox monk. Volume One showcases a darker sound and stronger doom metal influence than Sleep's later work. The image featured on the cover is taken from the Salvador Dalí painting 'Soft Self-Portrait with Fried Bacon'.

Track listing[edit]

Credits[edit]

One Piece Volume 1

• Al Cisneros - bass guitar, vocals
• Matt Pike - electric guitar
• Justin Marler - electric guitar
• Chris Hakius - drums

References[edit]

When his 2015 CMA wins for Album of the Year, New Artist of the Year, and Male Vocalist of the Year turned Chris Stapleton into an overnight sensation, it raised the expectations for the sequel to his debut Traveller considerably. Released two years to the day after Traveller, From A Room: Volume 1 surprises with its modesty. Yes, it's the first installment of a two-part album -- a move that, by definition, suggests some level of heightened ambition -- but From A Room: Volume 1 benefits from its lean 32-minute running time, its brevity shifting attention to the sturdiness of its nine songs. Stapleton revives his Traveller blueprint, adhering to the worn, leathery sound of '70s outlaw country, but his success has slowed his roll, allowing him to proceed with a quiet confidence. Most of the album does move at a leisurely pace, with the bruised ballad 'Broken Halos' setting the tone for the rest of the record. A sly cover of 'Last Thing I Needed, First Thing This Morning' -- a 1982 hit for Willie Nelson -- builds upon this contemplative mood and he returns to it frequently, whether it's on the skeletal 'Either Way' or the simmering tension of the closing 'Death Row.' Stapleton expands upon this rumination by offering a couple of soulful heartbreak numbers -- 'I Was Wrong' and 'Without Your Love' -- an old-fashioned barroom lament ('Up to No Good Livin'), and a pair of rowdy, funny blues-rockers ('Second One to Know,' 'These Stems') that give From A Room: Volume 1 dimension and color. As good as each of these songs is individually -- and there isn't a bad song in the bunch -- what's best about From A Room: Volume 1 is how it holds together. There's no grand concept here: it's just a collection of good tunes, delivered simply and soulfully, and that's more than enough.